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Diary of a Billsticker – Boston and Cambridge, Massachusetts, USA

This was an entirely agreeable poster run which took place over three or four days and featured a dozen Kiwi poets: Hinemoana Baker, Stephen Oliver, David Eggleton, Jay Clarkson, Aroha Harris, Becky Woodall, James K. Baxter, Bill Direen, Jeffrey Paparoa Holman, Serie Barford, Sonja Yelich and Selina Tusitala Marsh.

I put most of the posters up in the quiet of the early morning so as to get a full day’s ‘showing’ in. But, for all of this, I then felt compelled during the day to go around the place topping the existing posters up. I thought about the grids of each of these cities and how I could poster them from every different angle… But in the end, I settled for a small section of each place, because I have now obtained some little measure of ‘respectability’ in my life.

These days I’m only a wanted man down at the local Lion’s Club where they wish me to talk about being an entrepreneur and also about the ‘Art’ of positive thinking. It would be a shame to blow it all now by trying to hang a poetry poster on to a statue of Paul Revere. But when it comes to hanging a few posters, I do have something that closely resembles Tourette’s Syndrome and I can’t be told. There’s no “Higher Power” for that and I don’t get on my knees for anyone…. Not anymore anyway.

Massachusetts has fairly strict laws against postering and this did excite me to go out time and again. Honestly, it was like my Dad was in the room and I wanted to bust against everything and I must admit that I do like those words that I used to get to hear so often:

“Hey, what do you think you are doing?”

It was the negative comments that once kept me alive, made my blood flow, and defined me.  Besides, I’ve never understood how people could get so upset about a few posters on a wall. Now, having sat under the Bodhi Tree for a good long time, I’m a ‘success’ and I have to train myself to that end. But… Well hell, screw that. So, I put up poetry posters because it’s a good thing to do, it helps others, and it clears my head. I can bury whatever negative sentiments I have in the beauty of poetry. I think that’s a widespread use of poetry.

But, they can’t get me this time.  I’m going to play the game and I’m going to work inside the grooves and even though I may be thinking of a Tony Fomison painting all the time (‘What Shall We Tell Them?’) or even Keith Moon’s drumming… I’m just going to do what everyone else does and play along with the absurdity. I’m never going to become a Bore-a-Holic and I do try and put the posters exactly where they are allowed which in Boston and Cambridge is mainly nowhere. It’s all a perfect trap for people and I think expression and being heard is what people mainly want in this life. This is why poetry is so perfect and I’m working with some great poets here. If only everyone could express themselves is what I think.

I postered around the student accommodation area of Cambridge and this area is unusually tidy and well kept as you might think the minds therein must be. Both Harvard University and the Massachusetts Institute of Technology (MIT) are near, but the area is so clean (sterile in fact) that I think they’d be well served to have the university accommodation area from Dunedin (maybe Castle Street) dropped into the place and then everyone could maybe let it all hang out and probably feel much better for it all as well.

I’d throw in a ton of Speights Beer and open up a Cosmic Corner for them and then put on an Androidss gig. I’d also remove every bar of soap that I could. Sure I would do all of this…. Because I believe it. But you know, you can’t judge a book by its cover and I just hazard a guess that there is really plenty of bizarre thinking going on in these places and maybe even some jazz music as well…. It’s just the streets that wear these button-down collar shirts these days and it’s bad for people.

I know there must be a lot of anti-depressants prescribed here because in America there is. I even think there’s a new anti-depressant being marketed soon as the one you take when you miss your exit on the interstate. There’s another for people who want to take their clothes off at the airport security checks and exclaim ‘hey, I’m not a terrorist, you can quite easily tell that.’

I missed that one myself.

Anyway, it’s a shame to think that William S. Burroughs went to Harvard University. A real shame, because people like William Burroughs opened up the world for free expression.

Boston? Hell of a city. Just beautiful. Not many posters here either for the place that markets itself as the birthplace of American Freedom and Independence. But there is plenty of crime and really interesting crime at that.

It’s probably the place where the Irish Mob married the Italian Mob and gave the world the Heroin Trade (‘HT’) decades ago. I think the poppy growers in Afghanistan probably get down on their hands and knees each morning and thank their dear Lord that there is good old fashioned American crime and hypocrisy and that anything can be purchased on any street corner in the USA where Heroin is cheaper than buying a Paracetemol (Tylenol) for a headache and no doubt works better too.

The really interesting area in Boston where you can buy anything you want at any time is known as ‘The Combat Zone’. I walked through it many times because it’s just so interesting to see what people who don’t care and who are not afraid of jail will do. They should put a statue of Jean Genet right in the middle of it and I’d poster it. Society flares up in many different ways because superficiality is the order of the day.

Whitey Bulger was arrested a few weeks back. He was an old time South Boston crook (the American Trevor Edward Nash and then some) who had been on the lam for about fifteen years. He was second on the FBI’s ten most wanted listed listing after Osama Bin Laden who is at the bottom of some ocean these days. Whitey Bulger comes from another era in crime and probably a more honest one… If you can use the word ‘honest’ and ‘crime’ in the same sentence. He was an old time hood and was openly brutal instead of the way brutality is often measured out these days from behind a computer screen. I’d take Whitey Bulger any day. To me, these kinds of criminals (the Whitey Bulgers) are costing the country maybe tens of millions of dollars but there are criminals who are burning down the world and being idolised. Too much to think about…. And I pass. Where is my staple gun anyway?

In the end it’s all about poetry (which expresses so much) and I really enjoy my time in America just drifting around the place putting up posters as I go. It’s the best use of my time that I can think of.

It was a great poster run in these cities and I know it affected people because I received an email from a local reporter at a major newspaper who wanted to do a story.

On ya!

 

Keep the Faith,

 

Jim Wilson

48a 48c

Diary of a Billsticker – Washington DC, USA

 “We are coming Frew!”

This weekend I am away to Washington DC, on active service, to put up poetry posters and there’ll be a side trip to Baltimore, Maryland, as well. I’ve postered Baltimore previously. This city is important, in a sense, to at least one of our poets. Of course, it’s also very important to a lot of people because of the television show, ‘The Wire.’ It’s very rarely these days that you see the truth told like that. The truth now has to be put into fiction because otherwise no one would believe it and they’d be frightened of it. But I think everyone believes “The Wire.”

With poem postering, you can look behind you and see the clear results. People reading the poems. So these people have already voted. When you see people reading a Tusiata Avia poem they just about spontaneously combust, with a half a dozen of our other poets people seem to think deeply, and with some of our poems people laugh. That’s the net result.

There used to be, and maybe there still is, a demolition company in Christchurch, New Zealand, called Frews. It seemed to me they were a force of their own and before they knocked over a building they’d paint somewhere, “We are coming Frew.” They did. I think the same about our poetry project.

Good poetry is often very, very simple and postering is about the simplest thing one can do. The appeal of it to me is that it works and you can see it working. Life, after all, is meant to be about movement and action. First we advance, then we see what transpires. So it is then that our project has taken on life.

When we started the initiative, we thought it was time to take some small moves to bring some truth and beauty to the streets.

We started doing this about eighteen months ago to put poetry posters in the streets of cities and towns throughout New Zealand. Then, because the project excited people, we wanted to place them in as many places as we could afford to internationally. The poems are by Kiwis and Americans. These are two countries that you could say are ‘estranged’ in many ways. But never really are they estranged in the arts. Funny that.

So far, internationally, we’ve ‘poemed’ Glasgow, Paris, NIS in Serbia, Vienna, Sydney, and dozens of towns and cities throughout the USA. Some of these American towns and cities have been: Portland, Seattle, Casa Grande (Arizona), Boulder, Chicago, Baltimore, Knoxville, Nashville, Memphis, and Cookeville (Tennessee), Clarksdale, Tupelo, Oxford, and seven or eight smaller towns in Mississippi. We also postered in Philadelphia (Pennsylvania), Newark, Perth Amboy, Princeton, and Lambertville (New Jersey), and a wee sprinkling in New York City. You could poster in the Big Apple day and night for five or six years and I’d love to do that.

Phantom has hosted several ‘launches’ and readings in New Zealand in Auckland, Hamilton, Wellington, Christchurch, and Dunedin and we’ve put up thousands of posters now. In Auckland, the US Consul came along to read a poem and that chuffed us. In the USA, we’ve hosted a launch in Cookeville, Tennessee and one in Seattle, Washington.

Some of our poets have been (and I usually forget some names and I’m sorry for that): Janet Frame, Jay Clarkson, Frankie McMillan, Sam Hunt, Bill Manhire, Sandra Bell, Lawrence Arabia, Chris Knox, Otis Mace, Gary McCormick, Michele Leggott, Pablo Nova, Stephen Oliver, Ben Brown, Brian Turner, Jackie Steincamp, Nicholas Thomas, Hilaire Campbell, Tusiata Avia, Mariana Isara, David Eggleton, Geoff Cochrane, and Bill Direen from New Zealand. Then from the USA: Robert Creeley, Josie McQuail, Michael White, Jeffery McCaleb, Robert Pinsky, Marcie Sims, Gerald Stern, Joe Treceno, and Roy Smith.

There’ll be others.

In March 2011 we are having another launch at the worldwide head office of Saatchi and Saatchi in New York City and I’d say this will spin the project bigger and further and that’s what we want. I don’t always think bigger and better is best, but in this case, I do.

Wish me luck in DC.
 

Keep the Faith,

 

 

Jim Wilson

Diary of a Billsticker – Lambertville, New Jersey, USA

Woke Up This Morning and Got Myself a Broom

It is true that putting up posters will shift the dirty water off one’s chest. I have never come back from a poster run feeling worse (I’ve said this before), not even when my posters have been immediately covered by another posterer. This used to happen all the time in old Christchurch (and elsewhere) when sometimes twenty different people would go out pasting up for twenty different gigs on the same night. It’s a nice and interesting idea that people should ‘share’, but I always think their egos involved and sometimes egos can’t grasp even very simple concepts. Then, it’s not as if every ego in the world is working for a bank or finance company or even in politics. No, there are egos everywhere. Sometimes there are even egos in reverse.

Talking of egos, the most disturbing thing about America right now is the Oil Spill (yes, I meant to capitalise that because it is a huge disaster) in the Gulf. I hear there is another panel of ‘experts’ who are going to meet and discuss the matter later on in the week. The panel consists of Bono, Sting, Sean Penn and Elton John and their discussion will be screened on Entertainment Tonight. That’s how sad it all is. If only they would completely give away their fortunes to make it better. But they’ll never do that. The head guy from BP looks stunned and ineffectual and Mr Obama should front up and start cane-ing people. That’s the view of my ego.

So that’s why I like postering, because when you are putting up posters everything becomes perfectly clear and truthful (“The only thing that matters is the clear and simple truth” – Ernest Hemingway). It’s the activity of postering that unclogs the system and gets me moving and doing something that I enjoy a hell of a lot: putting up simple street posters for poets. That’s about the easiest thing to do and I do not like the theorising before and after the fact that one sees on television these days. Lewis Lapham once said something about television front people being the new car sales people of the media set and he’s right. So the Gulf Oil Spill is a tragedy on a number of fronts. The animals (human and otherwise) will suffer the most. I feel for them.

I did this run in Lambertville over three days and I put up posters by Jeffery McCaleb, Roy Smith, Brian Turner, Gerald Stern, Chris Knox, Robert Creeley, Michael Palma, Sam Hunt, Bill Manhire and Michele Leggott. Some of these are my favourites of course. I can stand back and look at them on a lamp-post and I feel good. I’m ‘put together’ again.

I tried to mix in the different sentiments with these posters too; some go really well in couplings with another poet. Sam is good with anyone. Robert Creeley is the man and will bring light to any lamp-post. Michael Palma goes really well with Chris Knox (he the musician and Michael the dude talking about Ray Charles). Roy Smith’s poem is just funky and smells of sand and diesel and Jeffery McCaleb just has this big heart, which I hope continues to serve him well.

And so on and so forth.

So you can see it’s not just about stapling a few posters to lampposts, it’s about ‘feeling’ and ‘being’ and it beats talking to lawyers and accountants and watching that Oil Spill. It also whips the endless and vapid smiles of television presenters. I’m sure all this is the cause of obesity.

You can quite easily see why people wake up and get themselves a broom. A broom is the best friend of a billsticker. A broom is what a billsticker usually uses to put up posters. Billsticking happens in every major city in the world. People will go out and express themselves. They’ve done this since before the beginning of recorded time. We’ve got a guy at Phantom Billstickers in Christchurch right now who is the fastest guy I have ever seen with a broom. I won’t mention his name because that may cause embarrassment.

I have learnt the noble art of billsticking from some of New Zealand’s best ever promoters. Here I am going to mention some names: Hugh Lynn, Robert Raymond, Harry M. Miller, Joe Brown, Oz Armstrong, Mark Cassin and Benny Levin.

We used to do ‘airport runs’ and this is where a billsticker would go out and poster the road in from the airport just before the date and time of the arrival of the ‘star’ or ‘stars’. Then you’d poster all around the hotel at which the promoter would tell you the act was staying. To use a sentence from “The Thin Red Line” this ‘bucks the men up’. The stars feel better and spirits are lifted. 90% of the value of a concert of any kind is that everyone arrives and leaves happy. The stars included.

Benny Levin would always ‘walk the town’ and ‘talk the act up’. I am privileged enough to be able to say that I did this with him a few times. He’d snaffle down a couple of ginseng and we’d put some posters under our wings and go from shop to shop putting up posters for the gig. This would be a few days before the play date and the important thing wasn’t so much the putting up the posters (although this was still critically important), but the talking to the shopkeepers and getting a gauge of how the concert would sell… Getting people interested.  If two hundred people told you in one day that they loved the act and were going to be at the gig, then this gave you a really good indication of how that concert would go. I don’t like to disparage anyone or anything really, but this kind of thing will still give you a better indicator of the popularity of an act than Facebook or the internet will ever be able to do. This is real people talking to real people. So, even though we may want to freshen up the simple street poster with technology, there is no doubt that it (the simple street poster) is a very powerful instrument and it feels real. I’ve said it.

Real is what the world needs of course. Getting face to face with people and making contact is the most powerful force in the world.

I was going to write about Eddie Chin on this posting. In my opinion, Eddie was one of New Zealand’s finest ever promoters and did one hellacious amount for the NZ music industry. I actually had some intake from people who played for Eddie back in the 1970s to write something, but this will have to wait.

I grew up watching how Eddie’s clubs bought Dunedin alive and I was very much influenced by what he did. I’m going to write about him on my next posting, because right now I hear a lamppost and a broom calling to me.

 

Keep the Faith,

 

Jim Wilson

31a 31b