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A Tinker’s Cuss – Jim Wilson’s Blog, 30/09/13

Jim Wilson’s Blog, 30 August 2013

 

Last week I was writing about my brother and putting up poetry posters in Trenton, New Jersey. Then I went on to discuss prison and the catacombs below my apartment here in Princeton, New Jersey. I mentioned the interesting people one meets down there in the tunnels and I always write about the healing power of travel and facing the oncoming road. Nothing goes away unless one faces it and anxiety usually has an end, but I will never read poetry in public.

My brother died when I was fourteen as I mentioned. He tried to take a tractor up a ridge that was simply too much for him and the tractor. My father taught him how to drive farm vehicles when our family lived on a farm up the Pig Root near Ranfurly/Middlemarch/Dunback in New Zealand. This is getting on towards Central Otago and is one of the most beautiful parts of Aotearoa. My dad was a tractor driver/farm labourer and my mum did the cooking for the men.

The Bell family owned the land (‘Shag Valley Station’ or ‘Bell Station’) and they were pretty good people. Our family moved to Dunedin when there were three kids at high school and I was born there. I’m proud of being born in Dunedin because it’s a great city. My Uncle Les lived with us and he was shell-shocked in WW2, maybe at Alamein where he was, but he was also in Greece at Mt Olympus and that was no picnic either. He could barely string a sentence together, but he was a hell of a guy and he used to laugh a lot. He was a real ‘moral compass’. Before the war, he was in the merchant navy and my mum used to say that he had been in every prison in the world for drunkenness. Like I say, one hell of a bloke and not a bad bone in his body. Give me a drunk with a moral compass over a sober psychopath any day.

My Uncle Les was still able to work (he was the boilerman at Kempthorne Prosser, the big drug company) and he bought us our first television. He had a number of Ford V8s and Morris 8’s that he couldn’t drive because of his ‘condition’. My brother used to drive them and take me out with him and I’d be standing on the seat screaming for us to go faster. Colin did drive faster and too much was never enough.

My sisters liked ‘safe’ pop music like Elvis Presley around the house, but my brother, he liked Jerry Lee Lewis. I am eternally grateful as you can imagine. My dad liked Hank Williams, William Faulkner and Erskine Caldwell and that is better still. Those artists/writers all serve to give you no delusions about life and all it deals out. They help you face reality.

A couple of days ago it was Janet Frame’s birthday in New Zealand. I still get messed up with the international-date-line and I have no idea what comes first and I don’t really want to know. Someone, usually someone on Facebook, will tell me these things in some kind of lecturing tone when I go wrong. Like I say, in this life seven people will cheer for you to get ahead and three people will tell you where you are going wrong and they will desperately try and hold you back.  It’s like they live for that. I faced all that on Russell Street, Dunedin when I was a kid and I still face it. But it’s better now. The only kind of freedom is internal, I reckon.

Anyway, Janet Frame. I have lived with Janet Frame all my life and she has always meant a lot to me. She came to mean even more about five or six years ago when I did my second course of interferon for Hepatitis C. At that point she got right into my bones and I’m sure she healed me even more than that horrendous drug did. Good literature will do that because it will tell you that you are never alone, not down in the catacombs, not ever. Not much can ‘follow’ you when you are on interferon, but Janet Frame’s writing always did.

She often wrote about matters/situations/places/feelings of which I know well: the train station at Palmerston in Otago (another uncle of mine owned the dairy there – he was the family success story), family dynamics, Oamaru, Carroll Street in Dunedin, Seacliff, the Occidental Hotel in Christchurch, the fear of putting your hand out to be published and so on and so forth. And sometimes just the general ‘Fear’. The scenario at the mental hospital in ‘Gorse is Not People’ I feel, having spent some time in both Cherry Farm and Sunnyside trying to drop a nefarious junk habit in the 1970s. When I read her writing I can feel and smell the walls in Seacliff. I’ve often been to the sea there and gazed out. Loneliest place on earth I reckon and I can still hear the sobs, every time a coconut.

A lot of people seem to have distorted views of writers/celebrities/recording artists and they write of them, and they ‘review’ (now there’s a word) them and often they are destructive as well. They sometimes hurt sensitive people to the core and I myself have been hurt deeply, even though I’m not suggesting I am either a writer, a celebrity or an artist. I’m just a song and dance man. Bridgette Bardot got to the stage where she was disgusted with the whole human race and then she never went out. It’s an act of courage to ‘go out’ and sometimes it’s not easy doing my washing down in the catacombs either.

I think Janet Frame was just shy and she couldn’t stand all the palaver. I’m with her. I also think Jerry Salinger was probably the same and Thomas Pynchon as well. These people often attract others who are overly interested and who pry and want, somehow, to suck on their success. They usually go looking for bad things and, lo and behold, they find them. There’s money in shit. I myself am guilty of prying as I have been up Jerry Salinger’s driveway (when he was alive) and I have had his wife scowl at me. I guess we are all guilty as we want something they have. I’d give my right arm to be able to write half as good as Janet Frame.

Anyway, here I am in America and I’m busy putting up poetry posters. I love it and if I don’t put up posters during a day then I figure that I really haven’t done well. I haven’t gone out there and shaken my fist at the sky and just thought, “you know, fuck it… It’s not El Alamein.”

I’d hate to end up like some of these Americans/Kiwis who sit on the couch suffering from celebriphilia and eating donuts and hurling abuse at the screen when Lindsay Lohan (or, pick a name) comes on. I don’t want to be one of these dudes who thinks they can write better poetry than Bob Dylan and didn’t he just copy it, anyway? Also, I don’t hate the US government nor any government and I’m not here to blow smoke up your ass. I just do what I do and, as my Uncle Les could sometimes struggle to get out, “worse things happen at sea”. He was right and there was a man.

 

Thank you Kemo Sabe.

53

 

Diary of a Billsticker – Lowell, Massachusetts, USA

A Word to the Wise Guy

Lowell is about thirty miles out of Boston and is apparently ahead of that city (‘Beantown’) in all the crime stats. Lowell has a population of around 100,000 people and many of them are immigrants. These immigrants are the very best thing about America in that there is always a big churn of ideas and many different things are going on. Immigrants always (always!) aspire to a better life and, not having health insurance, they try harder and complain less.

They also make better music in that there is mostly not a pre-existing musical-business structure that sucks all the life out of the sound before it goes anywhere… So give me a wild-cat Mexican band any day. You never see them on television and that’s a good thing and Mexican music in America is firmly ‘of the street.’ I don’t really care who plays well or not, I like to see energy.

Street life in America is a very exciting thing and before the words ‘upwardly mobile’ became unfashionable, you could use them to describe immigrants to America and be right on the money at the same time. I reckon everything bubbles upwards from the footpath and is mostly good. The exception would be the liquefaction in Christchurch of course. This is a very painful thing. But all ‘true’ things come from the street and mostly cannot be stopped. In their growth upwards many things become synthetic and that is harmful to people on a level along with aspartame and high fructose corn syrup.

The ‘things’ that immigrants bring to America draw from many different cultures, and it’s not like living in Mosgiel, though, of course, I have nothing against Mosgiel appreciating that some people enjoy that kind of thing. I don’t know what the deal is with Gore, but that’s for greater minds than mine.

Lowell then is a city wide open, but we have to consider that Mr. Obama has sat at the wheel whilst 800,000 people have been deported from America over these last two years. So I think liberal notions about this government are largely fanciful. The number one thing people want to do against other people is to build walls and all politicians play with the putty. Everything that is not nailed down in America is owned by someone or other and it seems everyone’s got to pay.

Lowell, Massachusetts, is where Jack Kerouac was born and also where the movie ‘The Fighter’ was filmed a couple of years back. That movie features local legend Micky Ward and shows the whole working class nature of Lowell and some of these old industrial Massachusetts cities. It shows that the little guy (the ‘underdog’) can do anything if he/she tries hard enough. As a Russian tour guide once said to me: “Look, the facts speak for themselves, the proletariat is fully capable of doing everything the aristocracy can do.”

I know that and I believe that nearly all aristocrats know really nothing about the street below them. But it’s the promises that are made that keeps the wheels turning in exactly the same way. People go a long way on promises.

Lowell was an industrial revolution ‘miracle’ as a mill town in the 1800s and was then dependent on cotton grown in the South and cheap labour (mainly immigrants) from the North. This whole thing did an about face in the 1920s as cheap labour was followed down into the Southern states of America. By the 1930s about half the people in the town were on government ‘relief packages’ and the town was a mess. I think it’s still recovering.

Now of course ‘cheap labour’ is offshore and the inability of people to work at satisfying jobs is a very harrowing matter for America and large parts of the world. America is now a country of the banks, for the banks, and by the banks (and other financial organisations). These financial institutions are full of people picking money like it was candy and one day it will all come unstuck. It must.

In Lowell, I was carrying poster poems by: David Eggleton, Serie Barford, Jeffrey Paparoa Holman, Sonja Yelich, James K. Baxter, Selina Tusitala Marsh, Stephen Oliver, Hone Tuwhare, Jay Clarkson, Hinemoana Baker, Bill Direen, Becky Woodall, and Aroha Harris. These are all a good bunch and I had a really great time putting the posters about. It all calmed my mind and had me focusing on the next poster and not Mr. Obama. I am trying my best to go upwards and like most people some days there is a wind against me.

But, the first thing that happened to me in Lowell was that a guy on a street corner (with a strange and tense cocaine look in his eyes) offered to sell me a boa constrictor for $20. It’s a hell of a thing to keep in a yard and he wouldn’t trade posters for it either. I am always happy to meet these guys who are playing a wild game that is out of the box and he obviously didn’t trust the banks.

Massachusetts has some very strict laws about putting posters on lamp-posts and I toed the line as much as a could and then something got the better of me and I did the reverse. That’s how Phantom Billstickers was built and the devil take the hindmost which the same devil has and often. But I’ve always managed to stumble up again and punch-drunk too. And I’ve carried on. It’s human nature to fight back and people do.

Jack Kerouac wrote a book that personally liberated me (and millions of others). I read ‘On the Road’ first when I was about sixteen and then I took Abbie Hofman’s advice and stole his book. If I had a conviction for that (stealing a book in the 1970s), I’m sure I would now be having trouble down at Homeland Security. These things follow people around like pernicious anaemia and the only doctor available is usually some kind of swept up immigration attorney working out of a Ringling Brothers type tent. She will tell you she has a direct line to the judge and it’s always that there’s “room for one more inside, sir!”

After reading these two mind expanding books (‘On the Road’ and ‘Steal This Book’), I then picked up George Jackson’s ‘Soledad Brother’ which probably had the biggest affect on me of all three. In fact ‘Soledad Brother’ saved my life, but that’s a tale for another day. George Jackson’s words are among the most powerful I have ever read and they changed me.

But, Jack Kerouac invented a whole new kind of writing at a time when writing was pretty damn boring and complacent and he started something that hasn’t stopped to this day. He famously said something that meant to ignore how other people wrote and to forget ‘literary syntax’ (whatever the hell that means) and to break all the rules. So, given Jack Kerouac’s result, we might think that in the breaking of the rules we actually make progress and I remember a fine piece of graffiti I once spotted that said ‘Tradition Kills.’ I couldn’t agree more.

Jack Kerouac was lucky to meet a bunch of like-minded individuals in the 1940s and 1950s and they supported each other as they each put a toe in the literary water. Some of these people were Allen Ginsberg, Neil Cassady, William S. Burroughs, Herbert Huncke, John Clellon Holmes, and Lawrence Ferlenghetti. On first meeting some of them he wrote that they were: “the most evil and intelligent buncha shits.” I feel like I’ve met them too as I met many similar people in Christchurch, New Zealand, back in the 1970s.

They were all ‘good sticks.’

Aye, aye, sir… Mr Kerouac’s bunch was a group that helped to change the world. Maybe they actually set up that change more than any others out there at the time. What existed in their imaginations was what a lot of people obviously wanted. I don’t get that feeling from Jonathan Franzen. I hate sitting around committee tables too.

For me, the first thing about ‘On the Road’ was that it had energy. Then Abbie Hoffman also had energy and George Jackson had more energy than he knew what to do with in that prison cell. What was it, ten years or more for robbing a gas station of $30?

So I think I have the most ideal life in this world. I think the current round of Phantom Billstickers poetry posters are outstanding and it’s the most enjoyable thing going to be driving or walking around putting up posters. I think it’s so damn simple and yet says so much and takes me far away from the endless debate (over stupid things) that seems to be the earmark of modern life.

Mr. Kerouac, having helped to open up the world, died an early and depressed death.

On my last day in Lowell, I stopped by Mr. Kerouac’s grave and cried. I’m sure thousands have.

 

Keep the Faith,

 

Jim Wilson

47a

Underdogs and a (Very) Brief History of NZ Music

What Phantom Billstickers is trying to do with our Facebook page and our website is take a bit of Kiwi culture to the world, whether it be our very fine music industry, our artists, poets, film-makers, comedians, clothing designers, or (as they say), whatever. We have several hundred followers on our Facebook page now from places further afield than Aotearoa. We can’t mail you a good old Kiwi meat pie, but we can tell you what our creative people are doing. Onward and on ya!

We’ll feature a little bit of Kiwi music each week and try to explain how we all got here as Kiwis. Firstly, we are a nuclear free country and that’s what we are really proud of.

Secondly, a bloke called Kupe discovered New Zealand some centuries ago. In his waka, there were probably musical instruments. Captain James Cook then ‘discovered’ (again?) Aotearoa in 1769. On any ship, there is always music. We all know this. Music is how people make their lives better. There is a ton of good music in New Zealand and it may be the last place to be truly discovered as a musical Nirvana.

My history will probably fail me, but I believe there were whalers around the shores in the early 1800s.

A lot of settlers came to New Zealand from England, Scotland, Ireland, and Wales. They bought mandolins, bagpipes, various stringed instruments, and probably some oboes.  This was all well before the eight track recorder. Maybe even a Lute or two. There were no publicists on board from what we know.

I’ll cut through now to a great period in NZ music probably from the 1940s and 1950s onwards. Great Maori show bands, rock ‘n’ roll (Johnny Devlin was our own star) and many other types of music including some great country music. There was a promoter from Mosgiel in Otago called Joe Brown, and he made a difference to the whole country. Gore is now the country music capital of New Zealand.

Music, a few decades ago in New Zealand, was a mixture of what we heard (being so isolated from the world) and what we made up. Good fun it was too. All radio was government until some dudes put a boat out in the Hauraki Gulf and called it ‘Radio Hauraki’. That stirred us all up immensely. Anything the government does is pretty staid after all. But no one can fight rhythm.

By 1967, and I’m really editing a lot out here, The Underdogs have arrived. Even by then, we’d already sent several bands and solo acts around the world. Long way to go, Snow.

Lots of people will have a different view, but I think the Underdogs were probably our prime blues band of that era or any other. The Blues Army Salvation (from Christchurch) were also pretty good. Oh hell, there were many. The tradition of good blues bands in New Zealand carries on to this day.

The Underdogs had many fine moments, and Sitting in the Rain was one of them.

 

Keep the Faith,

 

Jim Wilson

 

Diary of a Billsticker – Tennessee/Kentucky, USA Poster Run

A Hillbilly Fight Club

 

Delta Airlines mistakenly sent my luggage all the way to Tallahassee, Florida, whereas I was flying into Music City, USA (Nashville, Tennessee). So, my guitar case with broom and paste was no longer available and I felt lost without my heavy-duty industrial lamp-post poster stapler. In fact, I only had about fifteen Mariana Isara poetry posters on me so I set about trying to introduce these to as many people as possible.

One makes what one can of difficult situations and one always looks up to and desires what might and could be. That’s what they’d say in the Blessed South of the USA. In other words, I was as happy as a bird with a French fry; my glass was half full, and in fact, overflowing in a very Anthony Robbins way. Dude (a motivationalist) thinks he can fly and probably also thinks that all banks should be deregulated because that’s freedom! Little does he know how many rats work in banks.

The opposite of this view is that August 20th (last Friday) was the anniversary of the day in 1968 when 500,000 Warsaw Pact Troops (we used to call them “Com Block”) flooded into the Czech Republic when they got wind of the fact that someone was trying to get ahead. Then, you might notice that right now (it’s in the New York Times today), a number of writers in South Africa are jumping up and down as the government (the writers say) is censoring the news. You think?

So, whom to believe?

Don’t tell me: one meets the new boss and he’s exactly the same as the old boss?

In Tennessee, what I did about all of this is I went about the area talking to people about New Zealand poetry and art. This is what I’ve decided to do in life. I try to no longer debate the point (any point) and I just try to commit to some form of action.

There’s just too much loose talk in this old world and Facebook is like the main street of Deadwood. We all know this. As someone once said to Al Swearenge, “First you have the emotion, Al, and then you look around for a reason to be having it.” Well, your emotions are in your blood, Al! They are in John Key’s blood as well. Though hell. I do feel sad for old Aotearoa. God’s own Country, I swear. Today I miss the West Coast of the South Island.

But a month back I was lucky enough to be travelling around Tennessee and Kentucky for a few days, mainly off the beaten track, in the hills. You have to really respect this area because it gave the world so much good music. There’s nothing clearer than that.

It has been my experience that most politicians want to be rock stars. I’ve met a few. Then most rock stars want to be politicians. I’ve listened to them too. But it wouldn’t have been just anybody who could do what Hank Williams did, nor Dwight Yoakam, nor Miss Patsy Cline.  These were people who were not (and are not in Dwight’s case) mediocre.

I have a friend in Tennessee, let’s call him ‘J.P.’ I like J.P. Damn I do. I’ve been lucky enough to know him since he was three or four years old.  I had the best year of my life in Tennessee in 1990 when I worked hauling rocks out of a mountain and J.P. did this with me. Small as he was then. He was tough. They are tough in the South (they’ve had some shit and, as you know, they’ve given it too) and they’re vulnerable too (think Hank Williams). But mostly they are just upfront and they are people of action. They’ve had some stuff in their own behaviour to come to terms with.

In the South, the beauty is that people often think in very simple ways and few of them are “yoga experts”. The whole place is not given over to academics, politicians, and “spin”.  Down there, people more often just say and do what they think. They keep it simple. There’s a lot less discussion, and people are quite up-front, though with incredibly good manners (there are exceptions to every rule). I’d paste up posters with these guys any day. Political Correctness is kept in the outhouse. That’s where it should be as it is the most stifling element of life today. Let’s see action. That’s an old Who song and the lyrics are outstanding and have you ever seen a joker play drums like Keith Moon?

I haven’t.

Mariana’s poem (‘Self-portrait as Anything from the Album: Your Body Above Me’) is excellent by the way. I’m very proud to have her onboard for the Phantom Billstickers Poetry Project. We just try and win over one person at a time with poetry and it’s all one brick on top of the other. Next year we have bigger plans providing the glass is still overflowing. We’d like it to be.

J.P. is a good fighter. He’s a man of action, see. Sometime last year he was at home hoovering and cleaning his house one night. He got a call. J.P.’s a sweet kid. Still is. There was a dude down at a local hillbilly night club (they have these in Tennessee) who slapped $500 on the table and said he’d fight anyone.  J.P.’s mate told him to come down, J.P. said he would. I think he finished his hoovering first. I like J.P. because he puts first things first. He’s not the biggest guy in the world (but he’s not small either), and he said afterwards that if he knew what the guy at the night club looked like, then he wouldn’t have gone down. But he didn’t know and so he went, awfully primal this. J.P. is fast. This is all beginning to remind me of the Clash album “Cut the Crap.” Man, there’s heaps around, crap that is. I put up posters. Other people express these things in different ways, some are pacifists. There’s no point to war, we all know this, but man there’s plenty of wars. Sad that is.

Poetry is uplifting.

You know the end of the story: J.P. went down and blitzed the dude and got the $500. J.P. and the other bloke are friends now and there’s some respect there. They both know where each other is “coming from.” William Burroughs famously talked about the Naked Lunch being where everyone could see what was on the end of the fork. Wouldn’t you like to see it all clearly if you could? But you turn on TV and you see Charlie Sheen and then you see Lindsay Lohan and then it’s followed by some politician ripping off the world and getting away with it.

So I managed to introduce a few people to New Zealand poetry and I really enjoyed it. That’s the kicks and my kicks and hopefully your kicks too, and that’s what makes a difference to me. Hope it does for you too.

 

Keep the Faith,

 

Jim Wilson

35a   35c 35d 35e 35f

A New Jersey Hillbilly/Jim Ledbetter/Nashville Cats

I am writing some commentary to James Floyd’s poem ‘Wasted Flowers’ which is the Phantom Billstickers poem of this week. I was in Nashville, Tennessee this last week and if any place can be spiritual to me it is this part of the dear and blessed South. In terms of that pleasant and grounded feeling, Nashville comes close to Dunedin in old Aotearoa and which I miss. I miss the town belt of Dunedin and all those trees (Queen’s Drive) which seem to be of a completely unique colour in terms of this world. This good world will never let you down (or will it?) and Nashville never does. I even found a new country singing star, Chris Knight. Boy, is he good. In a world where 90% of music is mediocre, I am always happy to hear a good one.

That old Ford Crown Victoria has never disappointed me yet and the door wouldn’t unlock before I left. I took it into my local gas station here in New Jersey. I mean a man might have to evacuate his vehicle pretty quickly at times, who can tell? The gas station owner (Mike) of Cifelli’s Sunoco unlocked it and threw the locking mechanism on the back seat like it was disgusting and shameful to have to lock a car. At the same time, Mike was telling me about a house that was for sale here recently and how he overheard two women discussing it whilst getting their cars filled with that precious petroleum. The stuff we are ruining the earth with. One of the women said she wouldn’t want to own the house in question because there were only five bathrooms and her family was six. Mike said, “What, does everybody take a shit at the same time?”

Mike also said that the Afghanistan war couldn’t be won because “what’s to win?” I couldn’t agree more. It’s just another case of men gone wild and having to stomp other men.

Now all that’s New Jersey hillbilly wisdom. Hillbillies (simple people) are everywhere if you look.

That car ran on eight cylinders all the way and it is one sweet ride.

 

On to Jim Ledbetter:

Jim Ledbetter came off a methadone habit by locking himself in his car in Centennial Park in Nashville, Tennessee. He had nowhere else to go. He no longer had a house and probably few friends and this whole business (getting clean) was now merely between him and God. Of course if you were to count on anyone when the chips are down like that, then God would be the one. James Floyd’s excellent poem is for people like Jim Ledbetter and I feel I knew Jim well. As far as James Floyd goes, you can find him on Youtube under The Jefferson Street Poet.

I’m bound to say that it would have been cold there in Centennial Park and I know that every part of Ledbetter’s body would have shook from one door of that old car (it was a Chevrolet) to the other door as he got clean and got himself right with God, because that’s where he got. God cleaned the slate for Jim to start over again. Then, God didn’t let him down for the four years he was clean.

I love that country music in Nashville. One time I was walking down the street in my ‘Charlie One Horse’ Cowboy hat (the ‘Mama Tried’ model) and a car pulled up and the driver asked me if I was there to record a country record?

Jim Ledbetter, having proved himself to be a qualitative and deeply decent human being, died recently of a heart attack and that’s why I’m writing this.

Guys like Jim who make a comeback have a lot to offer the world and Jim did his fair share and more of good work. I salute him. Anyone who has gotten himself involved in the drug war (it’s bigger than Afghanistan and twice as unpopular) and has gotten clean. Well, there’s a life’s work and then some. There should be a congressional medal for it.

I won’t say much more about the drug war except that it is universal these days. No doubt the Afghanistan poppy crop was up again this year (and that’s with 100,000 troops in the country) and the Mexican city of Juarez has 250 drug-related murders a month now. It’s not the Somme yet but it will be. People will do incredibly craven-hearted things for money and drugs is where the money is. One time federal officers asked famous bank robber Willie Sutton why he robbed banks and his reply was “that’s where the money is.”

There’s a remake/remodel of the Parthenon in Centennial Park, Nashville. Those Nashville Cats been playing since they were babies (I say this as an aside). Now I’m not really up on my Greek History (the original Parthenon was in Athens in Ancient Greece) but I think Socrates drove everyone mad by asking questions that pointed out the answer’s hypocrisy. People in power don’t usually like this sort of thing, they’ll even legislate against you and call in an endless supply of bureaucrats. I think they poisoned Socrates in Ancient Greece because they couldn’t stand the truth. Maybe I’ve got this all wrong and possibly I’m actually thinking of Martin Luther King who was shot because he told the truth. Boy, the truth is best for people in the long run but it’s hard getting there. You might even get your ass shot off. Still, it’s not all as hard as hanging out in an old Chev in Centennial Park. That’s true grit. That’ll make a man out of you and it’s remarkably honest. You’d stand tall after that and Jim Ledbetter did.

He was a true friend to everyone who knew him and a beacon of hope.

 

Keep the Faith,

 

Jim Wilson