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A Tinker’s Cuss – Jim Wilson’s Blog, 11/04/16

Jim Wilson’s Blog, 11 April 2016.

 

My dad never went to WW2. He was a tractor driver on a farm up the Pig Root in Otago and he was either excluded because we in New Zealand needed to keep the farms going or his broken lungs stopped him. My dad was an asthmatic and he gasped for breath his whole life through and more so when he felt lonely or misunderstood.

I remember being vaguely embarrassed about my dad not going to war when I was a kid in Dunedin in the 1950s.

My uncle went. He was with the 23rd Battalion. His records show that he went to Scotland in 1940 and then in early March 1941 he arrived in Egypt. Egypt was quite a curly place at the time and my uncle served 14 days field punishment in late April that year for drunkenness. I am quite proud of this because if there’s one thing you want to do when you are young it’s that you want to flare up with your mates.

My uncle came home in 1943 after being medically discharged and he could never put a sentence together again for his whole life. His discharge address was the Clarendon Hotel in McLaggan Street, Dunedin.  I’d say that’s mighty staunch.

My family moved into Dunedin from the country in around 1950, a year or two before I was born. My Uncle Les loaned my parents the money to put a deposit on a house in Russell Street. My uncle’s records show that he was given a gratuity of 144 pounds, 16 shillings and sixpence. I think this is how much El Alamein was worth. That’s a hell of a way to earn money.

My parents moved into town because by the early 1950s there were three kids at high school and this was getting expensive on a farm labourer’s wage. My mum cooked for the single men who worked on Shag Valley Station and that didn’t pay much either.

I was the late-comer to the family. I was born in Dunedin and I will always be born in Dunedin.

My closest sister was twelve years old when I was born and now she is dying.

I was ‘Sweet Baby James’ and my two oldest sisters who were 16 and 17 years old when I was born loved me to bits. My brother who was fourteen when I was born was the best mate I ever had. He showed me how to love people and he once stood up on a table at a pub in South Dunedin and lead the whole bar in ‘We Shall Overcome’. This was in about 1963 or 1964 and during the American ‘Civil Rights’ era.

When I was a kid, my mother would sometimes say that I was a ‘mistake’ and my father would sometimes say that I was ‘nobody’s bastard’. This was because they were unhappy. People are sometimes cruel to other people when they are unhappy. I’ve never seen a happy person be cruel to anyone else in my whole life.

My brother died in a tractor accident in a road gang out near Ravensbourne when I was fourteen. My two eldest sisters died of cancer within a month of each other in 1989. In 1990, I sweated out the methadone working on a farm about seventy miles out of Nashville, Tennessee. I cried every day for my sisters and I gradually got back on my feet.

My old man worked in the store at Fletcher Steel in Dunedin when I was a kid and every single day of his life he got up and went to work. We moved to Christchurch when I was fourteen and my dad was working for Stainless Castings by then and they took him north. There were a lot of flies in Christchurch and it was really hot.

I love my mum and my dad.

My Uncle Bertie owned a milk bar in Palmerston in Otago and my Uncle Jim clicked tickets on the trains for the New Zealand Railway Service. I am dead proud of my family and they could never do a single thing to set me against them, not then and not now.

Even though my parents always voted for the Labour Party I think my dad knew that no political party could ever save him from his own propensity for depression. My mother was a passionate, fiery, tempestuous and very mischievous woman and there are just not enough adjectives in this life to describe her. But she couldn’t be like this in front of my dad and so she learned to hold herself back in almost all her expressions. I know she loved me when I did bad stuff and she loved me more when I eventually got to jail. I enjoyed jail and I made some of the best mates of my life in there. I also created a lot of mischief. One day I saw a homemade Molotov Cocktail (model airplane glue, glass milk bottle, somebody’s shitty underpants stuck in the neck of the bottle, add fire) explode on a wall about three feet away from a screw’s head. Trust me, it’s amazing what you can get to enjoy if you try.

My sister who is dying now is probably the one who I loved the most. She didn’t like me when I came along because she was twelve and I got all the limelight. She gave me ‘War & Peace’ to read when I was six and she used to play piano in our lounge. When Dunedin got its first big mainframe computer sometime in the early 1960s she was working at the Dunedin City Council and she aced an intelligence test and got to work on it doing data input, I guess. She got her photo on the front page of the Otago Daily Times.

My dad never went to high school but he quoted Shakespeare all the time. He’d say, over and over, that the quality of mercy is not strained. I think he basically missed working on the farm by himself and to this day, I still feel like I’m a country boy myself. I love Nashville like you can’t believe. I miss Nashville and specifically the Nashville piano sound every single day of my life but I can never tell what I’m yearning for, whether it is Nashville itself or my mum and my dad or my brother or my sister who is currently dying.

Even though I’ve had a wild and tempestuous life myself I was always really just some kind of hippie. I think the difference was that I never really cut my hair. My mum used to tell me to stick to my guns and so I have. You can hurl a sidewinder missile at me but it’s really my choice as to whether or not I hate you back. Sometimes I think the internet was invented because people had a real need to spit at each other.

I put up posters against the Vietnam war in the 1970s and I am sometimes upset about this now because I have met a lot of American servicemen who were badly hurt in that war, but I’ve also been to Vietnam and I’ve seen the immense damage there as well. I think the damage is called ‘Capitalism’.

I also put up hundreds if not thousands of posters against the Springboks tour of NZ in the early 1980s. I once pasted up posters on the side of a bus in Cathedral Square in Christchurch with my great mate Harry Sparkle.

I am going to miss my sister. She’s a fiery one and I have always been attracted to women like that. You could never depend on my sister to say the right thing in any circumstance. She’d only ever really tell the truth. We are a thousand million miles apart and yet emotionally I can hear her heart beat. This is what has been getting me down lately. You see I want to go home to Russell Street and start the whole goddamn thing over again and have us all sing a Hank Williams song and for my dad to look at me and smile and for my sister to hit them keys Nashville style. I want my sister and my mum to calm down and I want a mother’s love strong and secure. That’s all a little boy needs to get through this man’s life.

But I’ve learned that life is a long hard song and most things are a long way easier than being in the front line at El Alamein.

It’s ANZAC Day on April 25th. Buy a poppy because… Well just because the quality of mercy is not strained. Whatever you are going through in your poor forsaken life someone else is going through worse or the same. The exact worse or the same.

Them Nashville cats, been playin’, since they’s babies.

 

Jim and Sister

 

Diary of a Billsticker – New York City, USA

This was a poster run that took place over the July 4th weekend in New York City and once again I was a man possessed by the idea of getting some poetry into the streets. I usually feel that if mankind were restored to its natural state, then it would be one of putting up posters somewhere with a broom…. A place on the outskirts of town in the dark and in the dust…. But that each poster would shine. I believe Harry Sparkle (one of the great all-time posterers) is still out there with a paste bucket and glue in his hair.

I didn’t have a chance to re-up my supplies of posters before I left, so these were the same poets as featured in the Boston and Cambridge, Massachusetts run: David Eggleton, Serie Barford, Jeffrey Paparoa Holman, Sonja Yelich, James K. Baxter, Selina Tusitala Marsh, Stephen Oliver, Hone Tuwhare, Jay Clarkson, Hinemoana Baker, Bill Direen, Becky Woodall and Aroha Harris. Or maybe they were the run before this. After a while of putting up posters (and particularly poetry posters), you just give way to the feeling and you dream about posters and then you tend to single out particular meter boxes and lamp-posts in your dreams.

So you just go into flow and each poster that you put up pulsates in your body. You are trying your utmost to have each poster ‘connect’ with a viewer. Then, before long you’re thinking about using a hydraulic drill to place them as if you could just make one huge statement that would be heard everywhere. But of course, no one can do that. So the poetry thing just kind of alerts people at odd angles that things could be different and yet you know it’s not going to be anytime soon. It’s all kind of gentle movements and with a quiet and peaceful motive force, and we must keep that in mind. I always see people reading the posters as I go and I’m happy with that and it keeps my feet on the ground. I know the Phantom Billstickers poetry project is touching people in their hearts. It’s not CNN, but it’s not bad. It’s all incremental and should go on for years.

I remember I had a competitor postering against me in Auckland once and it has been said that he would go out on thirty-six-hour poster runs. Then, years ago, I met the guys who do the posters in the UK. There had been some kind of poster fight for the city of Manchester where so much of the world’s great music has come from. In that fight, someone had a hand hacked off with a machette. The ‘Music Industry’ used to depend on breaking bands in either London or Manchester and vast numbers of posters were put up. If a band ‘broke’ in London say, they’d break around the world, they’d be heard everywhere and the band could then record their next record in Palm Springs. Now there’s a good chance that if a band breaks in Spreydon they will be unknown in Sydenham, so hands don’t seem to be cut off anymore. Fair enough, there’s still plenty of venom and  sarcasm on the internet, but so what? It’s the people who front up that I like.

Anyway, I love New York and who couldn’t? It’s got plenty of meter boxes where people put posters and lots of telephone boxes seemingly built for that purpose. Then there are many notice-boards in cafes and a real sense of community (at a very street level) comes about. I just think the city is so old that it has lost any sense of pretense that it may have once had synthetic ‘town planners’ that can’t get it by the short and curlies and turn the whole place into some huge Riccarton Mall. It’s a wild and extremely passionate place and it’s where creativity is a cherished notion. It swings every which way on a very big axis.

I don’t have a hell of a lot else to say really. I consider that I put up the posters in really great sites. I remember a couple of poem posters (Bill Direen’s and David Eggleton’s) where I got them on meter boxes and was so stoked by the whole thing that I stood at a distance for a long time and watched people reading them. I felt the same yearning as I wanted to think the viewer felt. It all slowed down my pulse rate and made me feel good.

 

On ya!

Keep the Faith,

Jim Wilson

 

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Diary of a Billsticker – Washington DC and Baltimore, USA

There might be lots of good reasons for going to these two cities to do a poster run of Kiwi poets. A person has to have clear intentions and I always try not to get sidetracked. My job is to try and make people feel better and not to spit and moan all day about what is going wrong. There’s lots of spitting and moaning in these places.

Poem posters I was carrying included works by Tusiata Avia, Mariana Isara, Frankie McMillan, Janet Frame, Sam Hunt, and Brian Turner. I only carried a poem of one American with me, Robert Creeley. I find Mr. Creeley pretty hard to leave behind, but I generally think I should put up the works of Kiwis. We know lots about the Americans, but they know little about the Kiwis and our dreams and desires. They’ve never really had a mutton pie to speak of.

I am writing this on the 37th anniversary of the shooting of John F. Kennedy. I think you could count the number of Americans on one hand who know who the Prime Minister of New Zealand was in 1963, or any other of our Prime Ministers for that matter. It’s strange because we’ve had a wee few disasters in Aotearoa this year and now I find more Americans know who we are. But it’s a painful way to define a country.

As you might imagine, it’s hard to put up a poster in the centre of Washington DC. In that area, I think you could most probably be arrested for farting. I’d never take Harry Sparkle with me there to poster, because we’d end up in some exotic pokey in South Carolina or somewhere, or maybe in Florence, Colorado. I prefer to Super Max my McDonalds these days.

My spirits were lifted for a moment in DC when I saw a Shepard Fairey ‘Obey’ poster on an under bridge, but in the few square miles around the White House everything has been swept scrupulously clean and the lamp-posts are steel with deep corrugations, so you can’t really put anything on them. America is very concerned and anxious about terrorists right now and so even though you may come to do them a kindness, this can be misinterpreted. It’s all in the way it’s written up and I’d hate to be shot or arrested for putting up a poster. But I swear I am the person in New Zealand who has heard more than any other “you can’t put that there.”

Nowadays I like to think I’ve settled down, but I remember a (good) time when the Phantom Billstickers business card had on it ‘we just don’t know any better.’

But this poster run looked good because just as I left for a true ‘neighbourhood’ in the North West of DC, the Otara Millionaire’s Club (OMC) came on the radio blasting ‘How Bizarre.’ It’s a great thing when you are in America and you hear Kiwi music on the radio, you always feel proud. I put up their posters.

‘How Bizarre’ is a funky little song and it’ll loosen up your poster stapling muscles and dissolve some of the armour that may separate you from true living. No longer roiling in your chains you may go forth, and so, with breathing changed, I walked the neighbourhood affixing righteously on to those cherished wooden lamp-posts. The ones I have come to know and love so well in America.

“Oooh baby…”

Yes, Kiwi music does a lot of good in the world and I think now we even have more musicians than sheep.

“Ooh Baby (ooh baby)
It’s making me crazy (it’s making me crazy)
Every time I look around…
Every time I look around…
Every time I look around…
It’s in my face…

How bizarre
How bizarre….”

So I talked to lots of people on this run and including some other guys putting up posters (they were wanting to buy junked cars for ‘up to $200’). I put some posters up right outside the local police station (and could barely stop) and had a very friendly conversation with a cop doing so. There are too many big things in North West DC for the cops to worry about other than someone adding some beauty to a lamp-post and I must say the police station is bigger than the interisland ferry. One day these police stations will be bigger than the North Island and things will be worse….

“Oooh baby…
It’s making me crazy…
Every time I look around…
It’s in my face….”

Washington DC is where the Beatles gave their first concert in the USA in February 1964. They opened with Chuck Berry’s “Roll Over Beethoven.” I think they blew the room down. These things are in my mind as I poster. Two days before they were on the Ed Sullivan show and blew America away.

Anyway, next day it’s was Baltimore’s turn. I love Charm City as it just kind of feels to me to be naturally worn in. There are a lot of reasons you could come here too. There are strong references to Baltimore in at least two Bob Dylan songs, this being where Hattie Carroll was murdered and also where ‘Miss Mary-Jane had a house in Baltimore.’ Gram Parsons wrote a fine song called ‘Streets of Baltimore’ and Tim Hardin penned ‘The Lady Came from Baltimore.’ So the city stands up lyrically. I postered in the Hampden district where the streets smell of ketchup from all the restaurants in the area. I just love the wooden lamp-posts. Once again I met plenty of people and was therefore given an opportunity to talk about Kiwi poetry and music. Oooh baby…

There’s a ‘zine from Baltimore, actually, that features some fine writing and great poetry. It’s called ‘Smile, Hon, You’re in Baltimore’ and is probably the best ‘zine I’ve seen for years. It is dead close to the street and dead invigorating to read. Google it and have a read, it’s worth it.

“Oooh Baby…
It’s making me crazy…

How bizarre…”
Keep the Faith,

 

Jim Wilson

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Diary of a Billsticker – Lambertville, New Jersey and New Hope, Pennsylvania USA

Concerning Those Statues in The Park

It’s been so hot here for over a week now that a few days ago I saw a redneck explode in the street.

Then, yesterday when I was on 202 out near Flemington, New Jersey, I saw a dude in a bright yellow Camaro doing 120mph plus whilst being trailed by four New Jersey State Troopers wearing Smokie the Bear hats and wide grins. That is to say that all five of them were wearing the grins and the air was alive. I think they were all playing music by Prince.

On this poster run, I topped up about 120 A3s that I had placed on lamp-posts two weeks before. I added about 60 A3s and it brought the total amount placed to 180. This is a reasonably good ‘showing’ in a town of 4000 people. I placed posters by Bill Manhire, Mariana Isara, Robert Creeley and Gerald Stern. The poem posters have been noticed and I get lots of comments and emails. Posters in the street are very real.

There are many theories as to how to do a perfect poster campaign. I always thought that you started in the outskirts of the city and you kept adding to the posters and bringing pressure to the centre of the city as the play date grew closer. You want to get to the areas where there is a high volume of foot traffic and at the end, you want your point to be inescapable.

My thinking about all of this comes from the time when neither radio nor television were playing much of the Kiwi bands I was promoting and newspaper advertising was very expensive and oftentimes not very effective. In Christchurch, for a long time, the Christchurch Star was a quite effective way for bands to advertise themselves whilst the Press was a bit more conservative and didn’t really appeal. But both newspapers had excellent columns on entertainment that appeared weekly and these really helped. The Christchurch Star’s column was written by Rob White (a great writer) and the Press by Nevin Topp. Of course there was always a lot of disagreement about what worked and people tried many things to promote their bands and this was all for the good. Many good acts came out of this time and climate. Original New Zealand music was thought to be brand new and it took on aspects of being a religious event. I tell you if you’ve seen Toerag at the Gladstone then you’ve seen something and the same goes for Peter Sweeney’s Smack Riflemen. If you’ve ever met Harry Sparkle then you ain’t never gonna forget. This is a man who escaped from jail where he was doing a cooling off period for a smash and grab on a bottle store (The Star & Garter – another great pub gig), and who went to Timaru dressed as a woman. Now that’s what I call creativity. Most people would have gone to Ashburton.

So I always get these posters on the lamp-posts in Lambertville/New Hope to cover the best possible viewing opportunities. I criss-cross the city energetically enabling the posters to be seen in many different locations. Upwards of sixty locations is a good number.

As I put the posters up, I imagine people walking down the street and the direction they would be coming from and then I place the posters accordingly. Because I want to get poetry read as much as I possibly can and I’m not going to go on ‘Entertainment Tonight’ to do so, then I have to reduce this whole thing to pure and utter simplicity. I think everyone knows that these American TV shows are hyped and probably cause obesity and no one really believes in them. But, ah… A poster in the street is very, very true and if you read a Brian Turner or a Michael Palma poem in Lambertville on an old wooden lamp-post, then you have been touched my friend.

So I often think of postering as simplicity with constant repetition. You take the kick-backs and you keep going. Aaaah, my thoughts, my feelings seeping through in truth.

I always think about Kiwi music on a poster run and I am always proud of it. This week I have been thinking about people who deserve statues in the park and my first would be, in my opinion, New Zealand’s greatest ever band manager. My vote would be for Charley Gray. Charley was a very direct guy who cut through a lot of stuff and made a mark. He was way ahead of his time and very honest and devoted to music.

Then I’d give Murray Cammick a statue in the park for his work at ‘Rip It Up.’ In my view, this was New Zealand’s best ever music magazine. It’s hard to say how such a magazine could ever be duplicated or how a website or a Facebook page could come close to matching it. Rip It Up made a clear point… These days the water tends to be murky in many ways.

Aaaah, simplicity and directness of purpose.

Lastly, I’d award a statue to Eddie Chin. Eddie Chin had a few nightclubs in Dunedin when I was growing up. When people mention Dunedin music, I always think of Eddie first. In the 1960s he had a club called ’77 Sunset Strip’ and some great bands played there. These bands sometimes tended to be quite commercial and had very compelling stage acts; this was before such a thing often became something to be sneered at. Eddie nurtured many fine acts and people.

One of my favourite all-time Kiwi Bands was The Fantasy. This was Craig Scott’s band in Dunedin in the late 1960s. Craig moved on and the band went through several line-up changes (no doubt ‘musical differences’). Anyway, some of my mates were in that band and went to play for Eddie in 1971. This is what one of them (Jeff Stribling) said:

“We arrived in Dunedin at midnight one night in 1971. We had caught the 6 PM railcar from Christchurch, Bill (Kearns), Ronnie (Harris), and myself. We couldn’t get a residency in Christchurch as ‘Ticket’ (now there was a band!) had Aubrey’s and Chapta was at Mojos. So we thought we’d try Dunedin. We stayed at a motor camp that night and the next day we went to see Eddie at his restaurant, the ‘Hong Kong’, in Rattray Street. We said we were broke, starving and needed a place to live and play. He found us a flat, fed us and gave us the keys to his club across the road. The club had been closed for a long time and he said that if we painted it he’d feed us every day and we could be his resident band. We worked for three weeks and opened it as “The Groovy Room.” We called ourselves “NZ Fantasy” and we packed the venue with 600 people and it stayed that way. Eddie came into the band room one night with a massive amount of cash and gave us a bonus. He said, “I had a very good night on the horses tonight.” He was a live wire; a very kind man… My lasting memory of him is that his face was always smiling.”

Dudes, that’s how we built New Zealand Music.

I’m away to Flemington now to find that guy in the yellow Camaro. I want to smile like that.

 

Keep the Faith,

 

 

Jim Wilson

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Diary of a Billsticker – Trenton, New Jersey, USA Poster Run

The Ballad of Phantom Billstickers (Part Two)

R.I.P. Beaver.

In Trenton, I was carrying posters by seven poets: Robert Pinsky, Joe Treceno, Marcie Sims, Jay Clarkson, Michele Leggott, Stephen Oliver and Tusiata Avia. This was to be a true urban poster run and I rode my newly purchased second-hand Schwinn pushbike which cost me $40. I was carrying the posters under my wing. I felt like Ignatius J. Reilly and my hunting cap fell down over my eyes several times. I was the thinking man’s oaf.

Trenton is the state capital of New Jersey and has one of the highest crime rates in America. It is also where George Washington gave the British a damn good dusting during the War of Revolution and sent them packing. A nation was then formed that is (I chose the present tense on purpose) dedicated to the proposition that all men are created equal.

In Trenton there are monitoring devices in the streets which detect the sound of gunshots and can also track the direction from which those gunshots came. Say it isn’t so. This is what life has become.

There is a scourge in Trenton and its name is Heroin. The latest street brand of Smack is called “Obama’s Rescue Package” and is sold by those who want to take advantage of the dream of America. They have not joined in the spirit of the revolution. In Mexico, in less than four years, 23,000 have been killed during the “Drug War” and so it goes, (right?).

On to more pleasant subjects:

I am often asked about the old days of billsticking in New Zealand. One doesn’t want to choose favourites, but I have worked with a number of very good poster put-‘er-uppers. The name Harry Sparkle comes to mind first. Harry did the posters for the Hillsborough and Gladstone Taverns in Christchurch during the late 70s to the mid 80s when New Zealand music made all the ground it did. At the time, New Zealand music was like a religious movement and radio stations just did not play it and ‘cover bands’ pulled far more people than original music. I cannot tell you how Spandau Ballet songs made Christchurch swing and what haircuts became during this period of time. This part was appalling.

But, paradoxically, all this made original Kiwi music better as there was a point to be proven. The good bands won out. They are still heard. These bands were very prepared to be honest. At this time, going on the road was dangerous because the public bar clientele may well chase you down the main street for no reason at all and the only food on the menu for touring bands was Hawaiian Ham Steaks. Now that’s what I call dangerous. One took one’s life into one’s own hands to be playing Palmerston North during these years.

To digress, I would also want to give credit to Gerald Dwyer as a paste dude in Wellington, a giant Totara indeed. Then Lee Hubber and Johne Leach also did good work in the capital city. Doug Nuttall was invaluable in Dunedin for getting across the point of New Zealand music and John Greenfield gave his all in the garden city during the 80s and early 90s. Trevor King pasted up the streets of Christchurch in the 1950s and 1960s for Johnny Devlin and Max Merritt and so we must be thankful. You will remember that New Zealand was a closed shop during these years and the Beatles once famously said that they came to New Zealand but it was closed. Many people said this in different ways.

Harry Sparkle? Harry was a punk and during punk we all knew no limits and the walls of repression were being blasted down quicker than you could say “more government please.” Harry’s band was called “The Baby Eaters” and often crashed the stage at the Hillsborough during a touring band’s break. They cavalierly just picked up the headlining band’s instruments without permission and started playing Iggy Pop’s “Cock in my Pocket.” Several punks crowded around the mixing desk as another mate turned the volume Right Up. Pogo-ing was a thing.

Oh what a breath of fresh air.

The touring band’s roadies (often up to nine in total – what did they all do?) would come running and a fist fight would ensue. That’s the price for taking yourself too seriously. The Hillsborough had one of the two best publicans I have ever met, John Harrington (the other was Ray Newman at the Gladstone). And a good laugh was had by all eventually.

I have many Harry Sparkle stories I could relate, not all of them decent.

But I will tell you I saw him paste up the side of a parked bus in Cathedral Square one day for The Terrorways until the driver came running. Yes Harry could make a point.

I also saw Harry flat on his back on another occasion in the Shades Mall with his glue pot upended, posters everywhere and a dozen packets of panadeine cast about in the shape of a cross. For my sins, Harry.

But when a poster needed to go up you called Harry and he went to the maximum for New Zealand music which quite clearly needed to be heard and now has a very real place in the world.

The two other members of The Baby Eaters (Reuben and Johnny) are dead now as far as I know, as are many of the memories of punk. The grandmaster, Malcolm McLaren, died about a month ago.

I think New Zealand Music Month to be a truly great thing (but not universally great), but more than that, I like to see posters coming through for new and vital bands. But I’m going to finish with a joke because none of us should take ourselves too seriously:

This is what English comedian Ken Dodd once said:

“The man who invented cat’s eyes got the idea when he saw a cat facing him in the road. If the cat had been facing the other way, he’d have invented the pencil sharpener.”

The poster run in Trenton was highly enjoyable and I really tried to interact with local people. It worked.

 

Keep the Faith,

 

Jim Wilson

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